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Description
Queen of HeavenKiln Fired Painted Stained Glass set into White Hand Carved Plaster with Antiqued Wooden Frame. *Free standing with lead tin weighted wooden base included (designed to be viewed from one side only, back view and image of the base are included below). by Aloria Weaver, 2023 13x21 This piece won the award for Contemporary Innovation in Stained Glass at the 2023 Mosaic & Glass Arts International Juried Exhibition at CEPA Gallery in Buffalo, NY. "The
Kiln Fired Painted Stained Glass set into White Hand-Carved Plaster with Antiqued Wooden Frame.*Free-standing with lead-tin weighted wooden base included (designed to be viewed from one side only, back view and image of the base are included below).
by Aloria Weaver, 2023
13x21”
This piece won the award for Contemporary Innovation in Stained Glass at the 2023 Mosaic & Glass Arts International Juried Exhibition at CEPA Gallery in Buffalo, NY.
This piece won the award for Contemporary Innovation in Stained Glass at the 2023 Mosaic & Glass Arts International Juried Exhibition at CEPA Gallery in Buffalo, NY.
"The Queen of Heaven was an epithet used by many cultures to refer to a sky goddess throughout the ancient Mediterranean and the ancient Near East (Ishtar, Astarte, Inanna, Isis, Nuit, etc.), as well as the Christian Madonna / Mary.
This piece explores the juxtaposition of the Islamic form of stained glass window, the qamariya, with medieval glass painting, a European Christian tradition and representational art. It examines the cultural melding influence of the migration of Islamic culture through Africa and into southern Spain which heralded the European Renaissance.
Using the traditional methods of transferring a design of Islamic geometry and piercing plaster by hand to create a gypsum window grill featuring pieces of colored glass (called qamariyas: moon-like, or shemsiyas: sun-like in Arabic), I incorporate medieval kiln-fired glass painting in order to tell a story, to provoke inquiry, to rekindle meaning. The dual faces invite polarity: Sun/Moon, open/closed, awake/asleep, conscious/unconscious, divinity/humanity, feminine/masculine. By invoking polarization, non-binary neutrality is generated as a unifying force."
This piece explores the juxtaposition of the Islamic form of stained glass window, the qamariya, with medieval glass painting, a European Christian tradition and representational art. It examines the cultural melding influence of the migration of Islamic culture through Africa and into southern Spain which heralded the European Renaissance.
Using the traditional methods of transferring a design of Islamic geometry and piercing plaster by hand to create a gypsum window grill featuring pieces of colored glass (called qamariyas: moon-like, or shemsiyas: sun-like in Arabic), I incorporate medieval kiln-fired glass painting in order to tell a story, to provoke inquiry, to rekindle meaning. The dual faces invite polarity: Sun/Moon, open/closed, awake/asleep, conscious/unconscious, divinity/humanity, feminine/masculine. By invoking polarization, non-binary neutrality is generated as a unifying force."
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4.6 ★★★★★
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★★★★★ 5
Beautiful bag
Color: Black Flower, Color: Black Flower
Beautiful sturdy bag. I love the size fits all my stuff nicely. The inside is a pretty red color. Would recommend.
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Reviewed in the United States on April 7, 2026
★★★★★ 5
good quality
Color: 01-white Flower
It is prettier than advertised. very nice quality inside and out.
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Reviewed in the United States on May 1, 2026
★★★★★ 4
Love the bag
Color: Pink, Color: Pink
Great color. Great space to carry my needed essentials.
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Reviewed in the United States on May 4, 2026
★★★★★ 5
Functional Bag
Color: 01-white Flower
Beautiful handbag. Nice size. Love the included clutch - mini iPad fits in it perfectly. Lots of pockets and space. Great price
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Reviewed in the United States on March 11, 2026
★★★★★ 5
Looks exactly as presented. Beautiful and classy.
Color: 01-white
Absolutely beautiful and perfect in every way.
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Reviewed in the United States on April 29, 2026
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