SKU: 56635747753

Amazing Turkman Bukov Neclace Pendant

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Description

Amazing Turkman Bukov Neclace PendantThis is a breathtaking necklace from the Turkman peoples of Central Asia. This stype of necklace is known as a "Bukov," meaning "neck band," and is specific to the Yomud and Salor tribes of Western and Southern Turkmenia. Originally, the chain that the pendant is on would have been replaced by a heavy metal colar and then a pendnat than hangs from ingenious hook system. This one has been seperated from its neckband and was converted into a very

This is a breathtaking necklace from the Turkman peoples of Central Asia.  This stype of necklace is known as a "Bukov," meaning "neck band," and is specific to the Yomud and Salor tribes of Western and Southern Turkmenia.  Originally, the chain that the pendant is on would have been replaced by a heavy metal colar and then a pendnat than hangs from ingenious hook system.  This one has been seperated from its neckband and was converted into a very wearable necklace.   

Old Silver Jewellery of the Turkoman, by Dieter and Reinhold Schletzer, includes an extensive discussion of the various motifs of the bukov have special meeting, with many feauturing a butterfly design, signaling rebirth, "analogous to the tripartite division of the universe."  However you interpret the iconography, this are very special pieces!  

The pendant is is a true work of art, with a beautiful light gold wash, known as "fire gilding," original lovely table-cut carnelian stones, and silver tassels.  Carnelian stones were believed to protect the wearer from illness and death and the stones on this piece appear original and in very good condition. 

The central pendent piece of the bukov measures 6.5 inches wide and 3.5 inches tall, not including the tassels, which add an additional 3.5 inches.  The chain portion of the necklace measures approximately 19 inches (not including the center pendant).  The necklace weighs 203.0 grams.

Overall, this piece is in excellent condition.  The table cut carnelian stones are quite beautiful and in good shape.  However, the cabechon cut stones appear to be a later glass replacement.  The gilding is also in good condition, although there is certainy some wear, consistent with a piece of this age.  

The Metropolitan Museum of Art in New York has an excellent history of the Turkman peoples and the role of jewelry in the culture of these Central Asian nomads:

Although nominally Sunni Muslim, the Turkmen kept many of their pre-Islamic customs and beliefs, which were often embodied in the jewelry they made and wore. Turkmen silver jewelry carried deep symbolic meanings and often marked an individual’s passage from one stage of life to another. From a very early age, a woman started wearing jewelry whose shapes and materials were believed to ensure her ability to bear healthy children later in life. The amount of embellishments a girl wore increased as she approached marriageable age. Once she had had her first children, and her fertility had been established, the amount of jewelry she received and wore decreased. In addition, silver jewelry believed to ward off evil and illness was worn by men, women, and especially by children.

Jewelry was a significant financial investment, as it was handcrafted from precious materials. There were cases when, in times of dire need, a woman would part with her jewelry in order to help the survival of the tribe. Significant in size and weight, Turkmen jewelry objects were made of silver, decorated with semi-precious stones, and sometimes gilded for an added color effect and value.

The Met explains that "Pieces of carnelian, a bright red colored stone, are popular because they are believed to protect the wearers from illness and death."

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SKU: 56635747753

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I receive an ARC copy and am leaving my thoughts voluntarily. I really liked all the other books in this series and it was so nice to see characters I loved again while being introduced to some new faces that I can to love just as much. And I love seeing that some development has occurred! It’s not vital to the story but still nice to see. The idea of a romance with one character being a single mom isn’t something I see too often. And it’s done so well here. There’s genuine interest in not only the mom but the child as well and becoming a true family, with all feelings considered. I adored seeing the interactions with Theo. And one character is also trans, with some societal pushback they have to struggle though, which makes life all the harder and the sweet scenes all the sweeter. The spice here is high. But the thing I love about all Dani’s books is the strong emphasis on consent. It’s not there as an afterthought, it is as important as aspect as the physical act! And I adore it. Anyone that argues consent can’t be sexy should read Dani’s books. The world building is woven into the plot with exploration of history, discussion of the “he said, she said” of historical events, and how knowing the truth is important. I loved seeing the characters uncover and process everything. That’s probably a huge trait of Dani’s books I adore—there’s room to breathe. They give you the space to really process which adds to the realism. These are character driven books and I love getting to know each one. Recommend this one and all the ones before it! Just make sure you can handle the spice and the nastiness of how cruel people can be because it pulls no punches.
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