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【新品】三日月の導き / 少女フラクタル 発売日:2023年08月頃20230813 FAQ 13 01. Marcia 02. Marcia 03. Marcia 04. Phantom Ensemble Marcia ikuo 05. Marcia 06. Mooned Insect Marcia 07.(instrumental) 08.(instrumental) 09.(instrumental) 10.(instrumental) Phantom Ensemble ikuo 11.(instrumental) 12.(instrumental) Mooned Insect illustrated:
【発行日】2023年08月13日予定【発送時期】入荷次第発送
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その羽は美しくも 傷を背負って
【トラックリスト】
01.三日月の導き
原曲：ルーネイトエルフ
作詞：Marcia 編曲：榎中のん 歌：二羽凛奈、朔間咲
02.君とワルツを
原曲：業火マントル
作詞：Marcia 編曲：神奈森ユウ 歌：朔間咲
03.不確かな世界
原曲：夜空のユーフォーロマンス
作詞：Marcia 編曲：キャッツ 歌：二羽凛奈
04.奏でるは夢のあと
原曲：幽霊楽団 ～ Phantom Ensemble
作詞：Marcia 編曲：ikuo 歌：朔間咲
05.邪悪な旋律
原曲：幻想浄瑠璃
作詞：Marcia 編曲：馬刺牡蠣タン 歌：二羽凛奈
06.君と蛍火
原曲：蠢々秋月 ～ Mooned Insect
作詞：Marcia 編曲：馬刺牡蠣タン 歌：二羽凛奈、朔間咲
07.三日月の導き(instrumental)
原曲：ルーネイトエルフ
編曲：榎中のん
08.君とワルツを(instrumental)
原曲：業火マントル
編曲：神奈森ユウ
09.不確かな世界(instrumental)
原曲：夜空のユーフォーロマンス
編曲：キャッツ
10.奏でるは夢のあと(instrumental)
原曲：幽霊楽団 ～ Phantom Ensemble
編曲：ikuo
11.邪悪な旋律(instrumental)
原曲：幻想浄瑠璃
編曲：馬刺牡蠣タン
12.君と蛍火(instrumental)
原曲：蠢々秋月 ～ Mooned Insect
編曲：馬刺牡蠣タン
illustrated:京田スズカ
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4.3 ★★★★★
Based on 1462 reviews
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Product Reviews
★★★★★ 5
mustread!
Format: Paperback
one of the greatest poets EVER - you ar not literate in English if yu have not had a chance to read these - go to it!
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Reviewed in the United States on April 27, 2016
★★★★★ 4
ishiness
Format: Paperback
Williams' poetry requires some bio, and Charles Tomlinson's introduction in this edition has proved helpful. also Wendell Berry has published a handsome critique in "William Carlos Williams of Rutherford" that helps to mitigate some of the ishiness that may result from reading Williams without understanding the man. that beins said, Williams speaks well to the listeners of the finical new millenium with a mind for the migrant-flux consequences of the coming century -stressing the "thing" and the "American idiom" with attention to detail and irrepressible imagination "flung outward and up-disappearing suddenly" (from "Strains" in Al Que Quiere)
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Reviewed in the United States on September 3, 2011
★★★★★ 5
Above The River: The Complete Poems of james Wright
Format: Paperback
This volume is fascinating, because it does show the different stages of Wright's development as a poet and a writer (the prose sketches and descriptions of Italy are wonderful).
The early poems are extremely capable but there is a sense in which they feel constrained by formal verse conventions, especially rhyme. This becomes evident when he writes in free verse and his voice becomes easier and more vernacular. Some of the poems like "Hook" and "To A Blossoming Pear Tree" are wonderful:
'An old man / Appeared to me once / In the unendurable snow./ He had singe of white beard on his face. / He paused on a strett on Minneapolis / And stroked my face. // Give it to me, he begged / I'll pay you anything. // I flinched. Both terrified, / We slunk away, / Each in his own way dodging / The cruel darts of the cold. "
There are some late poems when he becomes almost incoherent, but the centre of the book is a whole series of poems as powerful and honest as this.
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Reviewed in the United States on March 21, 2011
★★★★★ 5
Seek and you will find. (Poems that speak to you)
Format: Paperback
I was not familiar with his work but have become a fan. Of course, as is true of my review of most poets work, I find more of the author's poems that I don't get or can't appreciate than ones I do; however, I found enough which moved me or had some profound impact that I am keeping this collection close for re-reading.
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Reviewed in the United States on December 17, 2025
★★★★★ 5
Above the River: The Complete Poems of James Wright
Format: Paperback
James Wright is a terrific, though not well known, American poet of the 1950's and 60's. Along with Robert Bly and William Duffey, Wright helped to open a new page in modern poetry which encouraged writers to break from the restrictions of traditional British formats. Personal and reflective, the poems focus on nature and have a strong touch of influence from ancient Chinese poets. Though the collection is filled with great stuff, my favorite is "Northern Pike."
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Reviewed in the United States on October 10, 2010