SKU: 95517725362

Robert Tucci Sound Energy Tuba Mouthpiece

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Description

Robert Tucci Sound Energy Tuba MouthpieceLimited stock choose from the drop down menu Robert Tucci Evolution of a Success Story Robert Tucci's mouthpiece designs have been some of the best selling and most popular designs for several decades. All are made under his personal supervision in Germany. The Robert Tucci concept: a comprehensive selection of mature and proven mouthpieces designed by and for professionals. The designers are you: the musicians to whom we listen. With each ensuing

Limited stock - choose from the drop-down menu

Robert Tucci - Evolution of a Success Story

Robert Tucci's mouthpiece designs have been some of the best selling and most popular designs for several decades.  All are made under his personal supervision in Germany.

The Robert Tucci concept: a comprehensive selection of mature and proven mouthpieces designed by and for professionals.  The designers are you: the musicians to whom we listen.  With each ensuing production sequence all desired aspects of tonal color, response, dynamic and factual range are implemented into our products. 

Robert Tucci mouthpieces are musical entities and as such are subject to constant refinement, this being the very nature of the art of music.  The instruments we play are better than ever; our mouthpieces are designed to enhance them.

Robert Tucci mouthpieces evolve and contribute to the art of musical performance.  They are the choice of professionals and enterprising musicians the world over.  Play Robert Tucci mouthpieces; be part of the art we love and to which our work is dedicated.

Evolution in Sound

As the world's foremost exclusive manufacturer of tuba mouthpieces, Robert Tucci plays a major role in the development of contemporary concepts of tone, velocity and dynamic range.

Design Purpose

Robert Tucci offers many different models, each designed for a specific purpose.  There is no need to compromise.  Choose the best Robert Tucci mouthpieces to best serve your needs.

Tonal Presence

Robert Tucci mouthpieces enhance upon proven design philosophy.  Vibrancy, resonance, color and excellent projection are their hallmarks!

Innovation

Robert Tucci means musical and technical leadership.  Every model advances the art and sets new standards for others to reach.

Compatibility

All models are based on the same philosophy of sound, response, balance and tonal presence.  Changing from one instrument to another can be accomplished with ease.

Materials

Only the highest quality brass and silver are used for Robert Tucci mouthpieces.  Care in engineering, fully polished cups and application of pure silver or 24 Carat gold assure superb resonance, perfect response, and the finest tony quality and playing comfort.  Rims and cups are fully polished by automated equipment in order to assure a smooth surface and consistency.  Gold plate finish is available by special order.  Please ask for a quote.

Engraving

All new mouthpieces in this series are engraved "Robert Tucci"  Some existing stock may have slightly different earlier engraving, but all dimensions are the same.

Shanks

Robert Tucci mouthpieces are available with the following shanks:

  • No indication: Large shank, for modern instruments with large receivers 13.5mm
  • "S" models: For instruments with smaller than standard receivers, 13.1mm

 

Compliments of Josef Klier mouthpieces, here are some shank comparisons:

  • Miraphone shanks start  at 13.3 with a slope of 1:20 (Morse zero) and an overall length of 97mm
  • The Perantucci models start at 13.5 and a length of 97mm
  • JK models start at 13.5 and a length of 96 mm
  • The old Kaiser tuba shank started at 14.0mm

 

Shells

Several Robert Tucci mouthpieces are available in heavy shell plus (+) versions as the HS-Series.  Plus (+) models incorporate modified cup and bore specifications as well as additional shell weight for unprecedented stability and projection.

Sizes

We attempt to keep all sizes below in stock.  This web page does not always update properly, so if a size shows out of stock, please ask.  We may have it, or it's arriving shortly.

 

Model

Tuba

Cup

Bore

Rim

Resistance

 

RT-36

BBb/CC

33.0

8.3

8.0

Moderate – open

Ideal for large-bore instruments where fast response is desired. The narrow rim provides remarkable flexibility and the cup has adequate depth necessary for good tone. The sound is therefore brighter than 44/48/50/88 mouthpieces. Funnel shaped cup, moderate depth. Medium sharp inner rim, rounder outer edge.

 

RT-40S

F

32.0

8.9

7.3

 

This is a design similar to the new Andreas Martin Hofmeir “Paul” model F tuba mouthpiece, but with the heavier standard Tucci mouthpiece shape. It's a fairly open blow, but is even in all registers and soars in the high range.  The RT-40 is a revolution for large-bore rotary-valve F-tubas.  The cup diameter of 32.00 mm is the same as that of our proven models such as the RT-64 and RT-65. In contrast, the cup is deep and elongated, with a mild transition into the throat. The rim is narrow, with a clearly pronounced inner edge. The throat bore, 8.7 mm, is exceptional for an F-tuba mouthpiece.  The result is a amazingly full and resonant sound, a particularly good low register, balanced intonation and easy high register.  Make the “German Orchestral F-Tuba Sound” part of your life.  Available in two shank sizes: RT-40S small shank and RT-40 large shank.

 

RT-44

BBb/CC

33.0

8.4

7.5

Moderate

Provides substantial fundamental and a colorful sound. It gives good projection to larger instruments. Fast response and flexibility make this an excellent mouthpiece for BBb or CC tubas. The shallower cup as compared to larger models is compensated by a larger bore. Medium large cup depth, funnel shaped. Rounded inner rim edge and sharp outer edge.

 

RT-48

BBb/CC

33.0

8.3

8.0

Moderate-open

RT-48+

Heavy Shell

 

 

 

 

Based on the classic Helleberg concept yet wider than standard mouthpieces. The rim is enhanced for quick response and clarity. The sound is dark with a broad core. Excellent for medium-large and large-bore CC and BBb tubas. Deep pear-shaped cup. Rounded inner and outer rim edges. The 48 and 50 are available in standard, and heavy shell plus (+) versions. Plus (+) models incorporate modified cup and bore specifications as well as additional shell weight for unprecedented stability and projection.

 

RT-50

BBb/CC

33.0

8.3

7.5

Moderate-open

RT-50+

Heavy Shell

 

 

 

 

Large and deep cup. The clearly defined inner rim aids articulation and tonal clarity. This mouthpiece combines high dynamic range with fast response. It aids low register playing while still enabling a good upper register. It is recommended for advanced players who prefer a truly large mouthpiece. Deep funnel shaped cup. Flat rim with sharp inner edge. The 48 and 50 are available in standard, and heavy shell plus (+) versions. Plus (+) models incorporate modified cup and bore specifications as well as additional shell weight for unprecedented stability and projection.

 

RT-64

F

32.0

7.8

8.5

 

Provides fast response, a lively and exciting sound with a clear core and excellent projection. The tone has a commanding nature for solo performances. It is a first choice for execution of high range orchestral literature. Produced for over 40 years, this is one of the most popular F tuba mouthpieces ever made. Moderately shallow cup, bowl shaped. Rounded rim with well defined inner contact point.

 

RT-88

BBb/CC

33.5

8.1

7.0

Open

The cup of the 88 is wider, yet not quite as deep as that of the 50. The sound has great strength and depth combined with huge dynamics over a wide range. The middle and low register benefit from the cup volume. The high register is secure yet mellow sounding.

 

 

Bio of Robert Tucci

Robert "Bob" Tucci once indicated that he had the good fortune of being able to look back on sixty years of a life with and for the tuba, his first love. Serious study began in 1955 as a student of Harold McDonald, tubist of the Pittsburgh Symphony Orchestra from 1952-1983. This continued in 1958, with Arnold Jacobs in Chicago. To this day he „remains a student of Arnold Jacobs.

In 1960 and due to a recommendation by Mr. Jacobs he became a member of the Louisville Orchestra, continuing studies at the School of Music of the University of Louisville. In 1962 he relocated to Vienna, became first a member of the Vienna Symphony Orchestra, later tubist of the Orchestra of the Vienna State Opera and the Vienna Philharmonic Orchestra.

Within a few short months he moved from an American orchestra famous for its Commissioning Series, to premiere and record twentieth century music by living composers, to one of great centers of traditional European culture and music. The young tuba player who once had a concert band audience smiling when he missed the opening note of the R. Strauss Concerto No. 1 for Horn found himself looking at Herbert von Karajan, Karl Boehm, Paul Kletzki, Josef Krips, George Solti, Wolfgang Sawallisch, Zubin Mehta along with many others.

From 1966-69 he served with the United States Army Field Band, played most of the 1969-70 season with the Buffalo Philharmonic Orchestra, and returned to Europe thereafter. In 1971 he joined the orchestra of the State Theatre in Kassel, followed in 1972 by a position at the Bavarian State Opera in Munich.

Munich and the Bavarian State Opera became his home. Over the years he performed with the Berlin Philharmonic, the Munich Philharmonic, the Symphony Orchestra of the Bavarian Radio, the Berlin Radio Symphony, the Leipzig Gewandhaus Orchestra, the Hamburg Opera and Philharmonic, the State Orchestra of Baden-Wuerttemberg and the Symphony Orchestra of the South German Radio in Stuttgart, the orchestras in Frankfurt, Nuremberg, Chemnitz, Augsburg, Ulm, Regensburg, Innsbruck, Zurich, the Salzburg Festival, the Orchestre de la Suisse Romande in Geneva, the Orchestra of the Arena di Verona, at La Scala in Milan, the Orchestra Nationale Santa Cecilia, the Cleveland Orchestra along with studio recording, brass quintets and ensembles including Summit Brass. He always said that he had much for which to be grateful.

Wolfgang Sawallisch and Zubin Mehta went on to become General Music Directors of the Bavarian State Opera, from 1972-93 and 1996 to 2006 respectively. During the 1985-86 season the Bavarian State Opera presented all thirteen of Richard Wagner's opera, four complete "Ring" cycles included, as well as all twenty-three operas, eighty-six performances, and most of the symphonic music by Richard Strauss. Bob once referred to Wolfgang Sawallisch as his "General Music Director for Life".

Bob Tucci enjoys close cooperation with leading manufacturers, to develop Perantucci brass wind instruments and mouthpieces, lines that have become the equipment choice for thousands of musicians worldwide.

Bob never felt that being a tuba player in some of Europe's finest orchestras was something special. In Germany alone there are over one hundred fulltime professional orchestras, each with a tuba player, some with two. There are countless other American musicians who have or had similar careers in Europe. Arnold Jacobs often referred to his chair in the Chicago Symphony Orchestra as "The Best Seat in the House". That is how Bob felt, having the opportunity to listen to great orchestral string sections, unique instrumental artists and in particular, to most of the great vocal artists of the second half of the twentieth century. For someone who grew up in a Western Pennsylvania coal-mining town, that was truly "The Best Seat in the House".

-from International Tuba Euphonium Association

 

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SKU: 95517725362

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Luna Fae
Massapequa, US
★★★★★ 4
Right from the start, I was drawn in by the prologue!!!
Format: Paperback, Format: Paperback
Queen of Roses (Blood of a Fae #1) by Briar Boleyn Genre General Fiction ( Adult), Romance, Sci-Fi & Fantasy, Dark Romance “More primordial than the stars. My name was on his lips as he promised unspeakable darkness to any who came between us.” Right from the start, I was drawn in by the prologue!!! I’m a big fan of “touch her, and you die” vibes, but I mean, what’s also not to love about a unique Arthurian retelling with gender twists, a treacherous royal court, a dangerous quest, magical Fae & mystical monsters, entwined with a bit of spice! Morgan, Princess of Pendrath and true heir to the throne has spent most of her life dimming her light to feel safe and to make others comfortable. She is treated as an outcast in the court and repressed by her family due to the blood of the Fae within her and forced to join the Temple of the Three as a priestess in training to one day replace Merlin. Her brother, King Arthur, who reminds me of Joffrey from Game of Thrones, later tells her that he has other plans and offers her a choice of the Temple or to marry her off for political gain, unless… that is, she can journey through the great unknown and return with a long-lost fae weapon with enchanted powers known as Excalibur. Her quest begins with a roguish crew that includes the mysterious, arrogant, and heart-tuggingly handsome Captain of the Royal Guard, Kairos Draven, whom she can’t decide if she wants to stab or indulge in pleasure with. Along the way are plenty of surprises, mystical creatures, and betrayal, all while Morgan uncovers more of the truth about herself and who she can trust. This book had intriguing storylines and lovable characters that kept me turning pages and wanting more. I can’t wait to see how it all unfolds and comes together in book 2, Court of Claws, which I just started reading!! Read if you’re into- Dark Fantasy/Romance Slow–Burn Question Everything Magic and Action Fae Arthurian Legend Stabby/Broken FFC Morally Gray MMC Forced Proximity Queen of Roses is perfect for Holly Black, Jennifer L. Armentrout, and Sarah J. Maas fans. Please check the trigger warnings page in the table of contents before reading this book.
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Reviewed in the United States on August 16, 2023
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Amanda Greathouse
Omaha, US
★★★★★ 3
3.5 stars, A little boring to say the least.
Format: Kindle
Wow so I'm not sure where to begin on this one. This was a very different take on the legend of Arthur and Excalibur. This is told from the point of view of Morgan the sister of Arthur. Honestly the first 50% of this book is world building and character building which unfortunately was super boring for me. Morgan to me was a female MC that had a hard time in believing in herself. Sometimes taking too long to understand exactly what was going on around her. Draven was also a different male MC, like I couldn't put my finger on him and what he was all about. It was not until the last 10% of the book did we get some answers on the mystery that is Draven. The other 50% of the book centered around this big journey with everyone having a different motive. We see a spark of magic around this time that had me excited but then we never expanded upon that and what it could mean for the female MC. I feel like I want to read the second book just to see where this goes, but the spice was probably a 2 out of 5. Side characters are ok, Lancelet was fun but I almost felt like I wanted more.
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Reviewed in the United States on September 13, 2023
K
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Krystina
Fort Morgan, US
★★★★★ 5
A bewitching retelling of Arthurian legend!
Format: Kindle
In a land where the Fae have nearly become only a legend and those who still posses even a morsel of the blood are few and far between, Morgan finds herself cast aside by most of society due to her rumored half-Fae lineage, including her brother, King Arthur. With the kingdom at the brink of war, Arthur entrusts her with a quest to retrieve a Fae weapon of legendary power: the sword of Perun, Excalibur. Accompanied by men she loathes, Captain Kairos Draven and Ragnar Whitehorn, she embarks on her long and unbeknownst perilous journey, only to find that things she once believed to be myth are in fact very real. With devastating twists, omitted truths, witty banter and fierce action, Queen of Roses leaves you begging to know more about the secrets of Aercanum! Wow, wow, wow! Going into this story, I did not realize that it was going to be a retelling of Arthurian legend, especially not one with a fantastical twist! The unique spin almost gave me The Witcher vibes and I think adding Fae into the mix was quite interesting. I knew the basics of the legend but after reading this book, it has piqued my interest and makes me want to learn more about it. My attention was snatched as soon as I finished the prologue and I knew that I was going to devour this story. I truly enjoyed the gender swaps and even how Arthur was portrayed as villainous. Morgan’s past and even her parts of her present is absolutely heartbreaking, and I felt for her at times. I can only recall one other book that made me hate characters the way I despised Florian and Arthur, leaving me with my blood boiling and feeling disgusted. Even after finishing the book, Draven is still a mystery to me and I cannot figure out how to feel about him. I guess they just means that the author did an excellent job at conveying each character’s persona! The rich world building and imagery made it easy for me to visualize the places that the group visited along their journey. I am truly engulfed in this story and I cannot wait to see wait fate awaits Morgan and how the Fae will be even more incorporated in the next book!. I received a free copy of this book and am voluntarily leaving a review.
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Reviewed in the United States on August 11, 2023
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Tiana
Grantham, US
★★★★★ 4
Enchanting
Format: Kindle
"Queen of Roses" by Briar Boleyn is a delightful and refreshing reimagining of the classic tale of King Arthur, with a captivating twist that places the spotlight on Morgan, a character who has often been overshadowed in traditional retellings. Boleyn's creative decision to shift the narrative perspective to Morgan breathes new life into the story, offering readers an intriguing and compelling look at the Arthurian world from an entirely different angle. One of the most commendable aspects of this book is its incorporation of Fae elements, which adds an enchanting layer of magic and mystery to the already familiar Arthurian setting. Boleyn skillfully weaves the world of the Fae into the narrative, creating a captivating backdrop against which the events of the story unfold. This addition not only adds depth to the world-building but also provides ample opportunities for twists and turns that keep readers thoroughly engrossed. However, while the book boasts numerous strengths, it does have one noticeable flaw: the characterization of Morgan. While it is reasonable to create a flawed and complex protagonist, it appears that at times, Morgan's character becomes overly difficult and hard to relate to. Her persistently negative perception of one of the main male characters, who is a potential love interest, despite his efforts to support and assist her, may come across as somewhat irrational and could test the patience of some readers. Striking a balance between a strong, independent character and one who can recognize genuine support and affection could have enhanced the overall reader experience. Nonetheless, the allure of "Queen of Roses" lies in its innovative approach to the Arthurian legend and its skillful blending of fantasy elements into a familiar narrative. Boleyn's evocative prose draws readers into a world where magic, destiny, and fate entwine, leaving us eager to uncover the mysteries that unfold within the pages. I received a free copy of this book via Booksprout and am voluntarily leaving a review.
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Reviewed in the United States on July 28, 2023
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Stephanie
Louisville, US
★★★★★ 5
An action-packed dark romantasy
Format: Kindle
I loved this book! Queen of Roses is an Arthurian-inspired dark romantasy that is the first book in the Blood of Fae series. The story follows Morgan, the princess of Camelot who is rumored to be part fae. Fueled by prejudiced hatred and a mistrust of fae blood, Morgan’s abusive father strips her of her birthright and hands it to her half-brother, Arthur. Instead of becoming queen, Morgan is commanded to join the temple of the goddesses when she comes of age. However, Arthur turns into a psychopathic, power-hungry, fae-hating king as he ages. He develops malevolent plans and commands Morgan to find an ancient weapon with legendary power. Although Morgan is wary of Arthur’s intentions, she embraces the opportunity to go on a journey and potentially change her fate. The story picks up from there and we follow Morgan on her quest to find the ancient relic. It’s full of high stakes adventure, mystery, tension, banter, forced proximity, hidden magic, self discovery, and betrayal. This first installment of the series intricately develops the world building and character development. There’s little romance in this book, but it is evident that it is a slow burn that will continue to develop throughout the remainder of the series. Overall, I loved the world building, the epic fantasy, Morgan’s journey of self discovery, and all of the twists and turns that set the stage for the future installments. I can’t wait to see what happens next!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 7, 2024

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