SKU: 86780920271

project two a genesis rhapsody marco lo muscio steve hackett john hackett vinyl

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project two a genesis rhapsody marco lo muscio steve hackett john hackett vinylPROJECT TWO A GENESIS RHAPSODY Marco Lo Muscio, Steve Hackett, John Hackett Available media: CVLD387C DMM ONE STEP VINYL CVLD387A CLASSIC VINYL A SIDE 19: 55 Entangled 4: 47 S. Hackett, T. Banks Prelude in G Major BWV1007 2: 27 JSBach Horizons 3: 32 S. Hackett Meditations On Horizons 4: 10 Mr. Lo Muscio After The Ordeal 4: 59 S. Hackett, with Steve Hackett, guitar and John Hackett, flute B SIDE 21: 03 Watcher Of The Skies 2: 27 P. Collins, T. Banks,

PROJECT TWO - A GENESIS RHAPSODY

Marco Lo Muscio, Steve Hackett, John Hackett

Available media:

  • CVLD387C - DMM- ONE STEP VINYL
  • CVLD387A - CLASSIC VINYL

A SIDE 19:55
Entangled 4:47
S. Hackett, T. Banks

Prelude in G Major BWV1007 2:27
JSBach

Horizons 3:32
S. Hackett

Meditations On Horizons 4:10
Mr. Lo Muscio

After The Ordeal 4:59
S. Hackett,
with Steve Hackett, guitar and John Hackett, flute

B SIDE 21:03
Watcher Of The Skies 2:27
P.Collins, T.Banks, S.Hackett, M.Rutherford, P.Gabriel

Prelude on Firth of Fifth 1:13
Mr. Lo Muscio

Firth of Fifth 4:15
P.Collins, T.Banks, S.Hackett, M.Rutherford, P.Gabriel

Hairless Hearth 3:40
P.Collins, T.Banks, S.Hackett, M.Rutherford, P.Gabriel
with Steve Hackett, guitar and John Hackett, flute
The Cinema Show 9:28
P.Collins, T.Banks, S.Hackett, M.Rutherford, P.Gabriel

Direct Metal Mastering (DMM ONE STEP )

Direct Metal Mastering (DMM - ONE STEP ) is an analog audio mastering technique for vinyl records developed by two German companies: Telefunken-Decca (Teldec) and Georg Neumann GmbH, towards the end of the 20th century.
Unlike traditional disc mastering processes, where the sound is mechanically engraved onto an acetate disc, typically using 5 pre-mastering steps (Vinyl lacquer Father/negative Mother/positive Galvanic stamper/negative Final vinyl), with the DMM process the audio is engraved directly into the metal (copper) using a high-frequency carrier system and special diamond needles, vibrating at more than 40kHz, to facilitate the engraving (Father/positive Galvanic stamper/negative Final vinyl)
This allows for improved precision in the grooves produced, with a consequent improvement in sound output (in particular with a reduction in background noise and greater response at high frequencies).

The differences between PET and PVC.

PET, or polyethylene terephthalate, is increasingly replacing PVC, or polyvinyl chloride, even in the common uses of plastics in everyday life, due to a series of advantages, including the possibility of perfect and 100% complete recycling, especially useful when used as a packaging material.
But let's see the main differences and considerations of these two plastics:

PET is more expensive than PVC but is definitely more interesting for audio use, considering its qualities:

- PET is resistant to abrasion and static electricity

- PET is temperature resistant and therefore much less sensitive to deformation problems, and is therefore also more stable over time

- PET is much less toxic than regular PVC

Real advantages of using PET in audio vinyl printing

  • Perfect vertical and horizontal centering (eccentricity), ensures significantly reduced wow & flutter during playback.
  • The grooved surface is ultra-smooth, resulting in a very low noise floor, which ensures greater effective dynamics, with much better transient response.
  • As we have seen, PET guarantees less deformation of the groove during contact with the stylus, resulting in greater durability over time, and greater extension and stability of high frequencies.
  • Its insensitivity to static electricity makes it much less sensitive to dust accumulation and sudden impulsive noises (tick-tock).
  • Injection molding, then, is much more precise and therefore causes less distortion of the grooves, resulting in a more stable, wider and deeper stereo image and improved spatial depth.
  • Again by virtue of the characteristics of PET and in our case of injection moulding, it allows the use of two fewer mastering steps (One Step), thus guaranteeing stability and uniformity of performance from the first to the last printed copy: injection on Father (positive) Stamper (negative) Final vinyl .

All arrangements by Marco Lo Muscio, except for THE CINEMA SHOW, by David Myers, Eric Johnsen and Marco Lo Muscio

Marco Lo Muscio , grandpiano
John Hackett ,
flute and Steve Hackett , acoustic and electric guitar

88.2kHz/24bit original live-in-studio recording made at Magister Recording Area, Preganziol (Italy),
on December 2024. Analog mixing and mastering made at VLS Studio, Naquera (Spain), on January 2025

Production: MARCO LINCETTO for VELUT LUNA
Musical producers:
Marco Lo Muscio and Marco Lincetto
Recording, mixing and mastering engineer:
Marco Lincetto
Design and layout:
L'Image
Inside photos:
Marco lo Muscio

"Project Two" : the ideal follow-up to "Project One." On the first album, we had almost a live concert recorded in a church and dedicated to contemporary music and prog in general. On "Project Two," however, we have a true concept album dedicated to the world of Genesis: "A Genesis Rhapsody."

This time, the Velut Luna recording project was entirely made in the studio and features the splendid Steynway & Sons D274 Concert Grand, housed at the Magister Recording Area studio in Preganziol. John and Steve Hackett return to the stage as featured artists with Maestro Lo Muscio on two tracks.

The focus of the album is a classically styled and entirely acoustic reinterpretation of the world of Genesis.

The album opens with "Entangled," a post-Gabriel Genesis gem, and then continues with three pieces linked by a subtle thread: the Prelude from Bach's Cello Suite (arranged for piano by Maestro Lo Muscio), which will form the basis of "Horizons." This is followed by " Meditations on Horizons ," a composition by Lo Muscio himself based on "Horizons," but set to the rhythm of Hackett's beloved Spanish habanera (e.g., "Bay" or "Kings"), and finally, the piano version of "Horizons." The first part concludes with " After the Ordeal ," a trio with the Hackett brothers!

Side B opens with the intro and coda of "Watcher of the Skies"; it continues with a fugal prelude by Lo Muscio based on the melodic part of "Firth of Fifth," which serves as the actual introduction to Genesis's classic masterpiece. It continues with the trio version of " Hairless Heart" with the Hackett brothers, and ends in grand style with that sumptuous and refined masterpiece, " Cinema Show ."

Finally, the great quality of the Velut Luna recordings will offer an incredible sound palette when listening to all the nuances of the great Steinway piano, filmed with a brand new microphone technique developed by Marco Lincetto which guarantees a truly “symphonic” piano sound: full, detailed, imperial!

---

"Project Two": the ideal follow-up to "Project One". In the first album we had almost a live concert recorded in church and dedicated to contemporary music and Prog in general. In this "Project Two" we have a real concept dedicated to the world of Genesis: "A Genesis Rhapsody".

The Velut Luna recording project this time has been realized entirely in the studio and makes use of the splendid Steynway & Sons D274 Concert Grand resident in the Magister Recording Area of ​​Preganziol. In two tracks John and Steve Hackett return to collaborate as protagonists with M° Lo Muscio .

The focus of the album is on the classical and entirely acoustic reinterpretation of the world of Genesis.
The disc opens with Entangled a gem of Genesis post Gabriel and then continues with three pieces linked together by a thin thread: the Prelude from Bach's Cello Suite (arranged for piano by M° Lo Muscio) that will be the basis of Horizons; to follow the Meditations on Horizons a composition by Lo Muscio itself that is based on Horizons but inserted in the rhythm of the Spanish Habanera much loved by Hackett (Bay or Kings for example) and finally the piano version of Horizons. The first part ends with After the Ordeal in trio with the Hackett brothers!

The B-side opens with the introduction and the tail of Watcher of the Skies; it continues with a fuged Prelude by Lo Muscio based on the melodic part of Firth of Fifth that is the real introduction to the classic masterpiece of Genesis. We continue with the trio version with the Hackett brothers of Hairless Heart to finish in a grand way with that sumptuous and refined masterpiece of Cinema Show.

Finally, the great quality of the Velut Luna recordings will offer an incredible sound palette in listening to all the nuances of the Steinway grand piano, recorded with a brand new microphone technique elaborated by Marco Lincetto that guarantees a real piano "symphonic sound": full, detailed, imperial!

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SKU: 86780920271

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