SKU: 8488149753

"Braquenie: Une Histoire Du Decor Francais" Deburaux 2005 Sotheby's Paris

Sale price$100.32 Regular price$111.47
Save 10%

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Jul 15 - Jul 20

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

"Braquenie: Une Histoire Du Decor Francais" Deburaux 2005 Sotheby's Paris[145] pp. 377 lots Sotheby's Paris 2005 10 3 4" x 8 1 4" Fine Scroll Down for (16) Additional Scans: Deburaux et Associs, Sotheby's France A HISTORY OF FRENCH DCOR SALE IN PARIS OCTOBER 27, 2005 Matre Deburaux, judicial auctioneer, assisted by Sotheby's, expert, will sell at the Charpentier gallery a set of tapestries, gouache and watercolour projects, tapestry cartoons, seat upholstery, carpets and furniture from the Braqueni house. Around 300 lots,

[145] pp.

377 lots

Sotheby's Paris

2005

10 3/4" x 8 1/4"

Fine

Scroll Down for (16) Additional Scans:

Deburaux et Associés, Sotheby's France

A HISTORY OF FRENCH DÉCOR

SALE IN PARIS

OCTOBER 27, 2005

Maître Deburaux, judicial auctioneer, assisted by Sotheby's, expert, will sell at the Charpentier gallery a set of tapestries, gouache and watercolour projects, tapestry cartoons, seat upholstery, carpets and furniture from the Braquenié house. Around 300 lots, sold without reserve price, will illustrate a history of French décor and bear rich witness to the taste and comfort of the late nineteenth century, adopted by castles and grand residences around the world.

The Braquenié House

Founded at the beginning of the nineteenth century, a time when France was making its mark in the field of decorative arts, Braquenié has created its own universe harmonizing carpets and fabrics in the most prestigious settings.

In 1821, Pierre-Antoine Demy and his wife took over the family business and set up shop on rue Vivienne in Paris where they gathered the most beautiful collections of carpets and tapestries in the capital. The house quickly became successful and, in 1830, it was appointed by King Louis-Philippe as 'merchant of silk fabrics to the king'. Ten years later, she acquired the 'Paris workshop' in Aubusson and began a policy of creating exclusive models that would make the house famous.

In the middle of the nineteenth century, in association with Alexandre Braquenié in the meantime, the house offered all the qualities to which the flourishing company succumbed: the Empress Eugenie and Napoleon III, the Duke Pozzo di Borgo, the Marquise de la Païva or the Rothschild family became loyal customers. Official commissions poured in: a carpet was woven for the Luxembourg Palace, another for Notre-Dame de Paris or the Vatican. Fame went beyond the borders of France and the courts of Spain, Italy, Russia and the Sultan Said Pasha of Egypt obtained their supplies from Braquenié. Prestigious commissions remained at the heart of the activity during the twentieth century, such as that of the liner Normandie or replicas of historical sets, notably for the Grand Trianon.

Since its creation, Braquenié has always combined tradition and innovation, combining re-editions of forgotten models with orders from new designers. She regularly associates her production with contemporary artists, the most famous of which were Picart-Le-Doux, Saint-Saëns and Lurçat.

In 1991, the Pierre Frey company bought this living cultural heritage. Respectful of the glorious past of this old house, it retains its soul while adapting it to the twenty-first century.

In 2003, Patrick Frey created a department responsible for gathering and reorganising all the archives relating to the history of the house. Its mission is to preserve this rich heritage of creation and various acquisitions over time, to offer new sources of inspiration to the group's style offices and to offer customers and decorators a tailor-made service. Today, Braquenié focuses its activity on textile trades (silks, printed and weaving) and custom-made carpets; she entrusted Sotheby's with the dispersal of part of her documentation relating to the tapestry. Braquenié chose to treasure his archives related to textiles and wanted to continue to enrich them.

The Braquenie Collection

This collection brings together examples of tapestries produced or acquired by the Braquenié house (petit point, gros point, flat stitch, canvas and tapestry) since the seventeenth century. Some, accompanied by the initial projects, will illustrate the different stages of the creation of a model, from the cardboard to the textile version and the putting the model into perspective in a setting. Allegory of the Twelve Months of the Year after Claude II Audran, Antoine Watteau and Alexandre-François Desportes is a wonderful example. These twelve paintings, estimated at €15,000 to €20,000, are followed by a gouache and watercolour on paper representing the decoration for which these panels were intended (estimate: €100/150).

Among the tapestry cartoons, a pair of painted canvases from the French school of the twentieth century offers an elegant composition of trophies of arms and garlands of flowers (estimate: €600/800).

The sale will offer a wide selection of tapestries dating from the seventeenth to the twentieth century. The oldest piece, woven in Flanders in the mid-17th century, depicts Cleopatra seated in an interior and accompanied by two servants, letting a snake wrap around her left arm (estimate: €8,000/€12,000). La Pêche, a tapestry made after a cartoon by Huet, shows a gallant scene in the style of the eighteenth century (estimate: €1,000/1,500). Illustrating the part devoted to contemporary creation, a third entitled Marine Universe was produced in Aubusson in 1958 after the cartoon by Alain Hieronimus, a French illustrator contemporary of Jean Lurçat (estimate: €800/1,200).

A series of four panels in flat-stitch tapestry in the style of the eighteenth century is decorated with musical trophies suspended from garlands above voluminous floral bouquets on a cream and red background (estimate: €5,000/8,000).

Among the carpets, several Aubusson models will arouse the interest of enthusiasts, including a large Louis XVI style flat-stitched carpet decorated with Athenian women decorated with flowers on a cream background (estimate: €7,000/10,000). A model in Savonnerie stitch shows a composition in the taste of the eighteenth century: a central medallion with floral motifs in a surround of garlands of flowers on a black background is framed by a frieze with geometric motifs (285x390 cm, estimate: €7,000/€10,000)

The sale will offer many seat upholstery, including a canvas in the style of the second half of the seventeenth century, decorated with pomegranates, large leaves, flowers and stylised fruit (estimate of the lot including several pieces: €1,200/€1,800). A Beauvais flat-stitch tapestry decorated with a cassolette from which a bouquet of flowers emerges is a fine example of the trimmings in vogue in the eighteenth century (estimate: €500/800).

The sale will include a few pieces of furniture, including a three-leaf carpet screen called the Savonnerie in the Louis XV style. Each leaf is decorated with birds resting on flowering bushes (estimate: €6,000/8,000). A rectangular bench in gilded wood in the Louis XVI style carved with crosses and rosettes, covered with a flat-stitch tapestry decorated with a dog in a medallion (estimate: €1,000/1,500)

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 8488149753

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.2 ★★★★★
Based on 195 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
S
Sharon S.
Dallas, US
★★★★★ 4
Just as described
Like I needed one more thing on my countertop! But it's coffee, so I'll make it work out. This is first product of it's type that I've used. I've seen it offered in coffee shops and thought that slower drip process must create a nice coffee. So, I've tried and I love it. Just follow the instructions, and get the filters at the same time or pick some up at your grocery store. If you're like me, you'll want to try it out right away. I enjoy a dark roast and this really improved the flavor of my usual brand of coffee. The only thing that concerns me is the beaker is made of pretty thin glass. I'm wondering if thicker glass would also help to keep the brew hot as I make enough for two cups. Overall, I'm really happy to have found this.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 19, 2023
S
Steven Wills
Waukegan, US
★★★★★ 5
Durable glass coffee container, nice to use
Previously, we were using an old metal coffee can to store our coffee. The problem is that because it was not transparent, we found ourselves frequently running out of coffee. Out of sight, out of mind. This glass container lets us see how much coffee we have left, but the fact that the glass bottom didn't appear to be reinforced had concerned me somewhat, particularly because our kitchen counter is hard ceramic tile. Well, it seems that these glass containers are made of borosilicate glass, which is a special glass made with boron that has superior strength and durability. Apparently, borosilicate glass is made at a higher temperature, and slowly cooled to room temperature in a process called annealing. Annealing involves controlled cooling to relieve internal stresses and improve the strength and durability of the glassware. Still, I wish that the base of the glass container was thicker, like most bottles and jars. The lid fits on snug and airtight, and there is a button on top that you can push to pump out air and create a vacuum seal. I cannot comment on the worth of this nifty aspect, as the taste of our coffee has not noticeably changed after we began storing our beans in this container. Still, it is a nice container, it looks nice, appears to function well, and hasn't cracked yet. It even comes with a small sturdy steel coffee scoop. And we get to see our coffee all day long.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 13, 2024
J
JH
Omaha, US
★★★★★ 4
High quality
Bottom line - highly quality vacuum container - would recommend for use with products that are not used daily. Ordered this for use to store my whole coffee beans. The product appears well crafted and the glass is high quality. After washing and drying the product, I loaded it up with a pound of coffee and this sealed extremely well. It is pretty much impossible to remove the lid without using the release to break the vacuum. However, after using this for a few days I started to feel like it was a little more work than I wanted to do on a daily basis. It seems to take a while until the button stayed down at the recommend level - I'd rather just push a button once, slid the lid on and release to seal the container than have to push the button 30-40 times to get a vacuum seal. If you stock up on coffee when there is a good sale, I still wouldn't recommend this for longer term coffee storage, simply because it is a clear container - coffee slowly degrades when exposed to light so it should be an opaque material. I am now using this to store my ground corn (polenta) to ensure it stays fresh and keeps any bugs out that may get into the pantry - after one experience with pantry moths, I don't take chances and now put all my grain in good quality containers. Since I only make polenta about once a month, I don't mind the time/effort it takes to reseal. Overall, this seems to be a well crafted and high quality product. However, it does seem to be a little on the expensive side for what you get and just didn't work out for me (as originally intended). Fortunately, I did find a good use for it.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 14, 2024
L
London
Bozeman, US
★★★★★ 5
Awesome!
I have tried so many ways of keeping my coffee beans fresh. This cannister is the winner! It is a very high quality container made of Borosilicate Glass which has provided me the protection I need in order to maintain freshness. I am happy, beyond description, with how well this works! The wide mouth allows easy access to the beans until the last is used. And when it is time to clean it, I can easily wipe it out as well as put it in the dishwasher since it is also dish washer safe. I will consider getting a second one for storing other items that I want to keep fresh as well as visible (like cookies, etc).
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 27, 2024
A
Action Reader
Waukegan, US
★★★★★ 5
For serious coffee connoisseurs
I got this coffee canister because I know that my coffee connoisseur, son will be staying at our home for a few months this spring. He invests in very good quality coffee beans and grinds his portions as needed. I know that this glass vacuum type jar will do the trick in keeping the beans fresh so that the oils don't dry out. My husband and I use a flip top hinged canister for our more regular grind and the speed at which my husband drinks coffee means that it's usually quite fresh without the vacuum additional feature. I would caution that it took a hot minute to figure out how it work and wasn't easy to get open the first time outta the blocks. Read the instructions so you get familiar with home the air is extracted and how to release the pressure to open the canister.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 6, 2024

recommand products